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The WARUM 2.0 arena closed down, before yesterday night, in Artefact Festival/Stuk/Leuven/Belgium. The installation hardware (lots of it, mostly wires & connections that is) is packed. Cargo is now just cargo. Heavy. Slowly on the move, in search for a new destination.. No more tickering data however; no more neuronal activity in the machines, in the human bodies nor in-between. Of course we tried hard to put this event on tape, and we will edit it. & soon, new little films will be posted on this blog.
Why is no crime. Come and see again this blog, from time to time. Cargo is a cargo lost, ah indeed, but not so the people it carries (makers and co-travellers alike), as they don’t stop engaging and questioning.
DEDICATION
Johan Blaeke was the person, of whom I wished he was my father. Together we started to develop Warum 2.0 last August, the physical part of it that is, the materials that would catch the images in the space of the installation arena. Johan died unexpectedly, soon after this week of very intense discussion, joy and testing. I never succeeded in replacing him with somebody else. I miss him. And I miss him so much. Out of the open space of his absence, an energy started to grow, that became the case of Warum 2.0.
It was my son Oszkár who showed me the way to connect to the visitors in Warum 2.0.. He, a very special boy of 10, and my great love, caring that is, being his father, was the reference, all the time. The openness of Oszkár, being a new fresh individual human to the world, as it is given, was conditional, yes, but without warning of accident, of hurt feelings, of possible and to be anticipated wrongdoing by others of any kind. Why, for Oszkár, has never been the question.
IN OUR HAND
The intermedia space of Warum 2.0 may be understood as an arena of struggle, far from impact. As long as we question the logic of war (the war of media and technology) we succeed in keepng that certain critical distance. Impact then, as an issue of prime interest in how war, men and technology are interrelated.
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